25.10.22 – 22.02.23
JCAF, Johannesburg, South Africa
Kahlo, Sher-Gil, Stern: Modernist Identities in the Global South
Prints

Amrita Sher-Gil sketching, Simla, India, May 1927

Photograph by Umrao Singh Sher-Gil

Silver gelatin print with selenium toning

14 × 11 in (35.5 × 27.9 cm)
Ed of 10

Indira and Amrita Sher-Gil, Paris, France, May 1931

Photograph by Umrao Singh Sher-Gil

Silver gelatin print with selenium toning

14 × 11 in (35.5 × 27.9 cm)
Ed of 10

Amrita Sher-Gil seated in a chair, Paris, France, c.1931

Photograph by Umrao Singh Sher-Gil

Silver gelatin print with selenium toning

14 × 11 in (35.5 × 27.9 cm)
Ed of 10

Amrita Sher-Gil with her paintings (Umrao Singh Sher-Gil reflected in the mirror), Paris, France, c.1930

Photograph by Umrao Singh Sher-Gil

Silver gelatin print with selenium toning

14 × 11 in (35.5 × 27.9 cm)
Ed of 10

Amrita Sher-Gil wearing a zari sari, Simla, India, c.1937

Photograph by Umrao Singh Sher-Gil

Silver gelatin print with selenium toning

14 × 11 in (35.5 × 27.9 cm)
Ed of 10

Amrita Sher-Gil outside her studio, Simla, India, c.1935

Photograph by Umrao Singh Sher-Gil

Silver gelatin print with selenium toning

14 × 11 in (35.5 × 27.9 cm)
Ed of 10

Amrita at her easel, Simla, India, 1937

Photograph by Umrao Singh Sher-Gil

Silver gelatin print with selenium toning

14 × 11 in (35.5 × 27.9 cm)
Ed of 10

Amrita with friend on the terrace of her studio, c. 1936. L'Atelier, Simla, India

Pigment print

Not for sale

Installation Views

Installation view of exhibition entrance.

Photo Graham De Lacy
Images courtesy of JCAF

Installation view of Part 2 Identity Formation, Amrita Sher-Gil

Photo Graham De Lacy
Images courtesy of JCAF

Installation view of Part 2 Identity Formation, Amrita Sher-Gil

Photo Graham De Lacy
Images courtesy of JCAF

Installation view of Part 2 Identity Formation, Amrita Sher-Gil

Photo Graham De Lacy
Images courtesy of JCAF

Installation view of Part 2 Identity Formation, Amrita Sher-Gil.

Photo Graham De Lacy
Images courtesy of JCAF

Installation view of Part 3 Portraits and Self Portraits, showing Amrita Sher-Gil, Three Girls (1935).

Courtesy of National Gallery of Modern Art, New Delhi.

Photo Graham De Lacy
Images courtesy of JCAF